Conclusions to Forum 3: Homosexuality in Children’s Literature

Better late than never, I will try to round-up this year’s last forum. The issue, again, revolved around the topic of homosexuality. This time the topic was inserted in the context of children’s literature. The idea was to ponder about whether it is right or wrong to include such controversial issue in stories for children. After considering your very valuable interventions, I think it is possible to reduce the different opinions to two main stances:

1) The first one could encompass those opinions expressing or implying the idea that children are not mature enough to cope with the idea of homosexuality. In a way, this position implies that homosexuality may be ‘confusing’ for children.

2) The second position would include those opinions expressing that it would be good for children to be in contact with the idea of homosexuality, since in this way they would learn to take it as something natural.

Although both positions admit a tolerant view towards homosexuality, those people adhering to the second stance make it explicit that, for them, homosexuality shouldn’t be condemned as a sexual deviation. This is important since everyone in the forum bestows an educative purpose to children’s literature. In consequence, it seems logical that, for a person who sees homosexuality as something normal, the insertion of this topic did not represent a risk in the education of children. Perhaps, unconsciously or not, those adhering to the first position may feel that facing children to the idea of homosexuality may ‘confuse’ them. But this potential ‘confusion’ can only take place if we admit that there is something wrong in homosexuality. If homosexuality were normal, then, what sort of confusion could we think of?

In reality, it is not the issue of homosexuality that is problematic in this discussion, but children’s literature itself. If we take so much passion in discussing such an issue, this is because, in a way, we perceive that children’s literature is a medium for cultural and social instruction. In consequence, no matter how naïve we think stories for children are, they always convey ideology. Although hidden or in disguise, genre roles, class struggles, sexuality, race and a long list of controversial topics have always been part of children’s literature. Why do princesses always await passively for their prince to rescue them? Why should any romance end up in a marriage? Why do marriages mean a happy ending? Why do we usually read about royal families and not about servants? Why most heroes are white, tall and smart? When we analyse stories for children from a critical perspective, it is not so difficult to identify the values, beliefs and principles that they convey. Perhaps, the important conclusion we can extract from this debate is that children’s literature is never innocent or apolitical. In a way, what we consider right or wrong for our children is the reflection of the world we believe in. If we believe that there is nothing wrong about homosexuality, then we wouldn’t find any problem in reading our children a book containing homosexual characters. If we don’t agree in reading our children such a thing, then this might be because, overtly or not, we find homosexuality objectionable.